Showing posts with label Emma Thompson. Show all posts
Showing posts with label Emma Thompson. Show all posts

Saturday, December 29, 2018

Who performed "Auld Lang Syne" best? 🗓️🕛🌃🥳🍾🎉🎈#NewYears music poll














































Follow up poll:

























And another follow up poll:







In case above link breaks:






FollowUp Poll:



































Friday, December 28, 2018

Which actress best portrayed the #MeToo movement?




 

 











 

 

 







Updated poll:
















Another updated poll:












Another FollowUp Poll:















Monday, November 19, 2018

Who performed Howard Dietz and Arthur Schwartz "Dancing in the Dark" better?










In case the above link breaks:















In case the above link breaks:












"Dancing in the Dark [From the Bandwagon] Lyrics." Lyrics.com.STANDS4 LLC, 2018. Web. 19 Nov. 2018. <https://www.lyrics.com/lyric/2839190/Fred+Astaire>.

In case the above link breaks:





















Narrator: Another stand out of the film ["Till the Clouds Roll By."] is Dinah Shore's haunting rendition of "The Last Time I Saw Paris."
















When Paris fell, Oscar [ Hammerstein ] was so devastated, that he sat down and wrote this poem and he then gave that to Jerry [ Jerome Kern ] who set it to a melody.  Without any idea....this was not intended for a show or a movie.

Sherman: It's about Paris....and Paris had just fallen. The year was 1940. June, 1940. So Kern read the lyrics and said, "Yeah, let's see what I can do." The next day he called him up and he said, "Oscar, I want you to hear something." And he sang it over the telephone.  It's one of the greatest, most moving songs I've ever heard.  Of course, it was incredible. They had to put it in a movie and it won the Academy Award.



















Narrator: The movie was 1941 "Lady Be Good"






First time a song that they wrote which wasn't written for anything [i.e. a trunk song] won an Academy Award.

Jerome Kern was thrilled. It was an excuse to come back to Broadway on top.


The first day he got to New York, he left the hotel and he walked down Park Avenue.

He loved to collect antique books and he went to one store and he collapsed in the street.





Above clip is from "That's Entertainment!" In case the above link breaks:





Gene Kelly: You know, I guess more songs have been written about Paris than any other city. One of the loveliest and most poignant was by Jerome Kern and Oscar Hammerstein.  Dinah Shore sings it in "Till the Clouds Roll By."



Follow up poll:

















FOLLOWUP Poll



















Wednesday, August 15, 2018

Emma Thompson as Queen Elizabeth I

From the 2017 "Upstart Crow" Christmas Special Se2Ep13:



























Mrs Shakespeare: She's just so, you know, real! Just like one of us! She's the people's queen. I honestly think that if I knew her, we'd be friends. 



Shakespeare: Yes, I'm wondering on what evidence you're basing this fantastical analysis on the nature of class and power?


Mrs S: She works bloody hard.

Shakespeare: On being a tyrannical despot?

Mrs S: Well, I wouldn't want the job!

Shakespeare: What? The job of being incredibly rich and all powerful?

Mrs S: Every day she has to keep scowling. She can never let it drop! Whatever she's doing...opening pageants, cutting off heads, murdering the Irish, she's always with a scowl and you never hear her complain. 

Shakespeare: Because if she ever did complain, you'd be the first to hear about it, wouldn't you?  "Does the Queen ever complain?" "I don't know. Let's ask Anne Shakespeare. She lives in a cottage in Warwickshire. She'd know." 

Mrs. S: You can sneer. But I think she's wonderful. 

[Knocking. Audience stands] 




Robert Greene: Her Majesty. The Queen



Queen Elizabeth I: We live in a wounded and divided country.  Ever must we make window into men's souls and oftentimes kill them for what we find there.  I have known fear.  When a child I was dismissed and despised.  I was female. I was Protestant....and I was a....ginge!  Now I am queen and it is I who must decide who is to be despised. But it is Christmas and so I say "Good Will to All ... particularly ... gingers!"  How are we to proceed this even? 

Greene: Your Majesty, the poet Shakespeare is to present his gift prior to the performance of his play. Step forward, poet, with your gift.

QEI: Also,   if possible, a receipt of purchase.






Shakespeare: [Stammering] Your Majesty, I can't...It's not...

QEI: Have a care, Mr. Shakespeare.  If you do not bring a gift, Christmas custom dictates that you must give your head! Be it ever a most difficult shape to wrap. 



[ Mrs. S gives Shakespeare his gift to her of a box of poetry] 


Shakespeare: Your Majesty, I do have a gift! Here 


[ Greene offers eyeglasses to QEI which she knocks away]


[ QEI puts the paper to her face to read the poems]


QEI: Thank you Master Shakespeare. It is a beautiful gift.  Whomsoever you do love is a lucky woman, indeed.  

Shakespeare: Majesty, I love thee as do all thy subjects! 

QEI: Yes, I know. They have to, when they're not trying to kill me. But love contained within your verses is of a different order.  It speaks not of duty nor yet of fear.  It is the love felt by one person for just one other.  Given freely and unselfishly. Such a love is not for me.  For I am married to England. And tho all the nation be my spouse, I am ever the loneliest person in the realm. I thank you, sir, for this little window into love.  And now there is to be a play presented, is there not? 

Shakespeare: Yes, absolutely, your Majesty!  Mr. [Richard] Burbage and his men stand ready to present my sublime new piece, "Eighth Night"







QEI: It's strange, Mr. Greene, it's passing strange my gentlelady did tell she heard the players rehearsing your appalling old chestnut, Backache & Bogey.  


Greene: [Friar] Bacon and [Friar] Bungay, ma'am

QEI: Lucky for you the rumor was false.  Had I thought for one minute that you'd try to slip your bogey play into my yuletide schedule I would've had everyone involved beheaded! 

I am in no mood for comedy this even. Mr. Shakespeare, kindly present your "Eighth Night" another season. I will to my royal chamber there to be alone and read again these poems that speak eloquently of a love I'll never know.  

Mrs. S: See? I told you she was burdened down by duty and worry. It ain't no dawdling sky [?] being queen. 

QEI:  Ere I leave, poet, must I make thee a gift as is the custom.  What would you? Money? titles? Speak!

Shakespeare: Your Majesty, not riches or a title.  There sits in the tower, the poet, Kit Marlowe,   falsely accused of malingering when actually he had a tummy ache.  

QEI: I offer you all that men desire, and you would help a friend? 

Shakespeare: Well, it is Christmas, after all. 


QEI: Yes, Mr. Shakespeare,  it is Christmas.  [whispers] Mr. Marlowe shall be freed. Now I bid good night to all. I will [hie?] lie me to my lonely chamber there to lie back and think of England. 

Shakespeare: [to Greene] Give me my futting necklace now, you thieving bastible. [to Mrs S] Merry Christmas, darling.  


Mrs. S: Oh, Will! It's stunning! But I much rather have my poems!

Shakespeare: Don't worry.   There's plenty more where those came from.


Mrs. S: Well, husband, it's been a wonderful Christmas.


Shakespeare: Yes, it has. And now it be Twelfth Night. Tomorrow is Plow Monday and work begins again.

Mrs. S: "Twelfth Night" It's got a lovely ring to it, hasn't it? Bit better than "Eighth Night" if you want my opinion.








Shakespeare: There may be something in what you say. Easy to change since, cleverly, the title has literally nothing to do with the play.

Mrs. S: Shame you never got to see it performed.

Shakespeare: It'll keep.  Might shelve it for a few years, anyway.  Not sure the world is ready for a non-gender specific trans comedy, yet.


Mrs. S: It will be one day.  You're just a bit ahead of your time, that's all.  Happy Christmas. 

Shakespeare: Happy Christmas.  Peace on earth and good will to all men.

Mrs. S: And women

Shakespeare: Of course. And also those who, like my Viola, aren't exactly sure.














And, as an extra bonus, here is Madeline Kahn portraying one of Queen Elizabeth's nemeses, Mary Queen of Scots, on the Carol Burnett Show:


Sunday, October 25, 2015

Virtual Bach Concert

James R. Oestreich damns with faint praise in his W. October 21, 2015 "New York Times" article "Review: Julliard415 and Yale Schola Cantorum Perform Bach's Lutheran Masses"













Bach compositions mentioned in article:


Bach's Mass in B minor





Bach Mass A major BWV 234





Bach Mass G minor BWV 235




Sinfonia from Cantata No. 42 "Am Abend Aber Desselbigen Sabbats"




"Brandenburg" Concerto No. 3




Bach's Concerto in C for three harpsichords BWV 1064




Oestreich ends his snarky review with this sentence:

"It all made for a pleasant evening without major revelations."

A bonus video: "Firing Line" with William F. Buckley Jr. "The Fight for Bach"





Buckley: Are you surprised by the longevity of rock music and its apparently unlimited hold on young people?
Tureck: No, I'm not surprised.  This is the late 20th C folk music as I view it and it's popular music. There's always been folk music and it's always been much more widespread than what we call art music. Art music has always been associated with a smaller group of people.

Buckley mentions that Rosalyn Tureck released a CD of Bach's Goldberg Variations:




Another bonus video, Daniel MacFarlane : J. S. Bach BWV1007 Cello Suite No 1 Prelude played on electric guitar for people who want to try and merge 20thC folk music of rock with Bach's art music as Tureck would say:

















Cellist Matt Haimovitz tried to get bratty kids interested in Bach's music with guerrilla staged concerts, but to no avail. His travails were documented in David Allen Oct 26, 2015 "New York Times" article  "Matt Haimovitz and Bach, Colonizing Columbia's Campus"

















I share the skepticism of Emma Thompson's "Wit" character:





and suspect that the music commissioned in homage to Bach is really an attempt by mediocre composers to bask in Bach's reflected glory, as Allen alludes to:





Other artists' renditions of music listed in Allen's article:

Bach- Cello Suite No. 4 in E-Flat major; Ophélie Gaillard




Bach cello suite no. 3 in C major BWV 1009, Pieter Wispelwey




Again, I'm on Team Tureck vs Team Allen, I don't believe that Bach was ever considered quotidian music:














Bach- Cello Suite No. 5 in C minor; Ophélie Gaillard




Bach- Cello Suite No. 2 in D minor; Ophélie Gaillard




A quotidian rendition of Bach Cello Suite No. 1 played on a banjo vs high  falutin bass fiddle :





I couldn't find a recording of Vijay Iyer "Run"


but here is Vijay Iyer Trio: NPR Music Tiny Desk Concert instead:




Couldn't find a recording of Mohammed Fairouz "Gabriel"



so here is a recording of Mohammed Fairouz: Symphony No. 4 'In the Shadow of No Towers' the title of which presumably implies that Muslims were the biggest victims of 911 to which I disagree.




Couldn't find a recording of Roberto Sierra "La Memoria" which purportedly included "Caribbean salsa" rhythms, so here's his "Fandagos" instead:



Couldn't find Du Yun's "The Veil of Veronica" or anything remotely resembling it.

Couldn't find Hawaiian chants in Luna Pearl Woolf "Lili'uokalani" so here's Suspense (1913) - Music (2013) by Luna Pearl Woolf for Matt Haimovitz and Uccello, McGill Perc. Ens. instead which has nothing to do with Hawaii but appears to have been filmed by the seashore




Woolf's composition was supposed to compliment  Bach - Cello Suite No. 6 in D major; Ophélie Gaillard




Couldn't find Philip Glass "Overture to Bach" which was supposed to be more of a "counterpoint to the perky Suite No. 1 than a summary of it, suffused with sadness and yet yearning for something more." Here's Philip Glass-Double Concerto for Violin, Cello and Orchestra /Tirol Concerto for Piano and Orchestra instead: